Writing

Project Dear You

Posted in Writing on June 13th, 2010 by admin – Be the first to comment

Dear Kuo,
I saw you yesterday and you were carrying a bright green budgie back home. I always thought budgies were meant to be in pairs, or is that only love birds?

I live in a house with a flat roof, but not the kind you can sit on. But maybe I’ll try to climb on top someday, because you can wave to people from high places. People ignore me when I wave to them, but it must make them feel happy because when I wave to myself I feel happy.

Becci

—–

Dearest you,
I don’t think anything belongs in pairs. Necessarily. It just happens that people like things in pairs. They never ask the birds what they think, do they? I don’t think you should climb up on your roof. People might think you need help. People shouldn’t have to go out of their way for someone to bother them. Likewise, it’s too much of a bother for them to wave back. I don’t wave to anyone anymore.

- Kuo.
P.S. The budgie flew away. I guess it didn’t like me enough. Or maybe it liked outside more.

—–

Dear Kuo,
I think birds can really talk, they just hide it with squawking noises. At night, when not a human soul is alive, they sprout posh British accents and go ‘Yes, dear, those pesky homo sapiens have finally toddled off to slumberland. Now we shall dine.’ They have caviar and sandalwood wine.

People like things in pairs and in symmetry. What if you’re a symmetrical pair? Do people love you more then?

- Becci

—–

Dear you,

I don’t think birds like sandalwood wine or caviar. Because otherwise, they would have come sing to me long ago for treats. I don’t think birds are British either, because then they would stop singing when it comes to time for tea.

Are teacups more beautiful because they look alike? I don’t know, because I was never allowed to use the good set as a child. Even now, I don’t think I should buy a set for myself. I might break one of the cups accidentally.

I don’t know if people love them more. I think the symmetry lies in their heads.

I don’t think they really love each other either, the couples I’ve seen.

- Kuo

—–

Dear Kuo,

If teacups look the same I think they must be drunk and held the same way because you can’t be semi-identical. Yesterday I saw two cups on the table with the same pattern but one was turned a different way and it was ugly. It made me very angry and I went to my corner and I sat down.

- Becci

—–

Dear Becci,
All my cups are solid colors. They’re the generic Ikea ones. Mass produced. They reminded me of the people I saw walking down the street, all dressed alike. I don’t think that’s ugly at all.

- Kuo.

—–

This was something a friend and I wrote many years ago, and it was just floating around in my hard drive. To explain, both of us were ‘in character’ at this point, sending ‘letters’ to one another. I embodied a certain type of character, as did he. Eventually time/work/life struck us both and we never finished our project. It was meant to be a culmination of letters that each added a stroke of description to their own lives. My character, as I had somewhat planned it, would have slowly revealed her location in subsequent letters and the many things in her life.

To this day, I don’t know what Kuo had planned to write.

Untitled

Posted in Writing on May 16th, 2010 by admin – Be the first to comment

A forty year old man is walking nervously to the polished counter and there is wrapped lock of hair in his trembling hand. He had fished those long trails of chestnut hair, many years ago, from the bottom of the shower drain. He remembered how he often tried to unclog the shower drains with all those stubbornly clinging hairs, tinged grey with the foam of the shower. Now he finds himself coveting every piece: the thin lock of hair is wrapped in a ziplock bag, meticulously sealed and rolled with an emerald ribbon. He washed it and conditioned it last night. He admires the particular curl, its subtle sheen.

He is looking at the woman at the desk, and she is smiling comfortingly – he wonders if she pities him. She is dressed in a bleach white smock and there is a badge pinned smartly to her left hand side. There is a smiling yellow face and a speech bubble protruding from the toothy grin: We are here to help! It is all artfully done – quietly euphemistic, jarringly neutral. He carefully empties the ziplock bag onto a metallic tray on the desk and watches the woman’s slender fingers re-arrange the lock of hair on the tray, eyes darting towards the computer screen as it blips into life. Her fingers flit across the touch screen for a few minutes and he is watching her in breathless silence. He is studying her every move, his hands gripping the edge of the counter, snowflake white. The seconds that slip by make him wonder, briefly in panic, what-the-fuck-am-I-doing-here, should-I-just-leave. I am weak, weak, weak – but he is inexplicably rooted to the spot before he can turn away from the counter. Numbers dance on the touch screen and cranes his neck to see it, almost desperately. The woman finally looks up, signalling his quiet resignation towards it all: let it be, he thinks. He wants this – yes he does. Her voice is forgivingly even:

“Good morning. Welcome to Reviva. How long would you like the simulation for?”
“2 hours, please.” His voice is strangely croaked.
“Very well. I will lower the helmet down and you can select your preferred location and memories.”

A pane in the ceiling, a painfully sterilized white, opens as a small helmet is lowered down to him through a mechanic arm. Numerous wires protrude from the top of the helmet and there is a smart twirling Reviva brand stamped to the side. It promises everything to him. He quickly places it on his head: his eyes are covered by a black screen and a sudden, startling smooth female voice echoes through the helmet like a soft breath: Good morning, sir. Thank you for coming to Reviva. We are calibrating the memories of your sample. A slight pause. Calibrated and loaded. Please select a preferred location.

A number of scenes appear on the screen. He recognises the restaurant where they went on their first date. She wore a red dress and it blushed her skin a magenta pink. It fades as the second location appears: he sees the mountain top they used to hike on during the weekends, in all its balmy sun-soaked earth. Then: the park where he saw her for the first time, sketching the ducks on the pond as they squabbled for stale bread. In a flash, it changes to the supermarket they went to after the first day they slept together: they argued over skimmed and full-fat milk. Finally – his room. He remembered how they both sat on his bed and found themselves staring at each other in the lukewarm dark, without a word. The slits of moonlight cut through the curtains like glass, and he remembers how, that night, his hand slid down her back, moonlit one second and in the darkness the next.

“The bedroom, please.” There is a terrible yearning in his voice.
Very well. Loading significant events. Please select the appropriate memories.

A list appears on the screen, each one with a ticket check box next to it. It is in chronological order, starting from Meeting Event, to First Date, from second, to third, to fourth date, to the times where they were no longer considered counting dates, but all measured in each absorbing, fleeting moments they spent time together. There is an item highlighted in red: First serious argument. He unchecks the box with a flick of his hand. And the second: Argument with threats to leave. That too, he erases. Argument culminating in a- he can’t bear to read it. He asks for all the reds in the list to be de-selected from the list – divorce, separation, new partner, car accident all disappeared from the screen. He was left with the moment in time where he was only 23, where he honestly believed – as he would do, as a student – that he was in love and all he wanted to do was spend the rest of his life with her. He stares at the list and wonders if such a thing should be manufactured. He haphazardly considers apologizing to the counter woman and leaving the building in blind panic. Yet, he finds himself mindfully confirming the selection, as the voice rings: Thank you for your selection. Please remove the equipment.

He slowly removes the helmet and it feels like a thousand heavy seconds as the helmet is raised back into the enclosed platform in the ceiling. He wonders if he should have changed the environment, the memories; a part of him was afraid it wouldn’t be perfect. The woman at the desk motions towards him and he feels limp as she hands him a glossy key card.

“You are in vault #40492. The bill will be collected upon exit. Thank you for shopping at Reviva. The simulation will appear in 5 minutes and simulation will end at 1PM. Thank you. “

The vault opens and the bedroom – as it was in his early twenties – is exactly how he remembered it to be: clothes strewn along the sides, files of university work propped on the table, the photograph of him and his sister balanced on his desk. There is a guitar case leaning at the foot of his bed and his socks are placed on top of the radiator to dry. It is darkening and the curtains are the same intruding canary yellow as it was many years ago, but now tinged deeply orange in the sunset. He sits on his bed and he is impatiently waiting as the clock on the desk ticks by with every unforgiving second.

His mind is chaotic. He recalls what it was like when he was with her those years ago in this exact room. He wonders if he can be as tender, what he could possibly feel. He wonders whether it would work, even. He is afraid she will emerge deformed from the process, or something else terribly wrong – but he calms himself down. Memories, in all their intricacies, blended into the body of a woman with the same skin and flesh – how far it would be from reality, sweetened by the gentle nuances of time and nostalgia. She would be the softened version of herself, the blurred and smoothed image of her in his mind. He can barely remember her anger and her spitting words. He only remembers her beauty.

The door at the back of the room gradually opens and he can make out the shape of a woman’s body as it steps away from the door. He recognizes her dress immediately: she is wearing the flowery dress with its chiffon layers, the same dress he used to run his hands through. She is now stepping towards him; the orange of the sunset dyes her skin into a peach glow and the brightness of the light unveils her face like silk on flesh.

He cannot think. She is there in, in warmth and blood, and there is something surreal about this. He can see the mole she had on her chin, the shoulder-length of curl of her hair. The way she moved in all her exact mannerisms – her arms swinging, slightly – and the cheeky, unreadable smile on her face. He sits motionless on the bed as she stands before him, and he is paralyzed in the rush of ache – god, the yearning and the tired stretches of time, years and years of longing with every penny saved until this moment of heaven on earth – of dreaming the day he would see her again after the angry separation and the accident. He last saw her alive in the hospital, merely a body covered with wires weaving back and forth from her arms, her face. She stands before him in this untainted version of herself. He stares and admires and loves and absorbs this flesh reincarnate of her. He can’t remember anything more beautiful. There is a vibration in his voice and he raises his arm weakly scrape his fingertips along her soft inner wrists.

“I’ve missed you. Fucking hell, I’ve missed you. So much.”

He sees her in the crevices of his memory. She walks closer towards him and wraps her arms around him. He can smell her scent in her hair and he can do nothing but hold her back, the rush of emotion pouring back like angry waterfall. His lips are pressed against the flesh of her arms and he just can’t understand how real they are, the softness of her flesh, the tiny freckles lined across her elbows. I have aged, he thinks to himself, but just for today, I want to pretend.

“How – how have you been doing?” He asks her as he holds her hands tightly, “I can’t wait to talk to you about everything.”

She is laughing at his reaction now, the way he knew she would.

“I saw you barely a day ago, silly! You’re so melodramatic. I’m fine – though yesterday, Professor Hugh gave me far too much reading to do. I don’t want to read-” she grins, almost mockingly, “when I can spend time with you.”
“Listen-” his palms fully enclose hers, settling her down next to him on the bed, “I know this isn’t going to help, but I have to say this. You won’t understand this, but – just, listen.”
“What’s going on? You look like you’re about to announce that you’re pregnant.”

He pauses, regaining his breath and control over his shuddering body, “Just – ten years down the line you’re going to be in a car crash, okay?” She looks sceptical now, but he continues on: “It will be my fault. I’m going to be in the car with you, and you will have swerved into a truck containing flammable goods. You’ll do that because I will have told you that I have missed you for years. You will tell me you’re with someone else and there’s nothing I can do. There will be a throb in your throat and I’ll reach forward to touch it, just like that-“ his finger lightly touches along the hollow of her neck to the sides, trailing gently until it rested on a weak, pulsing beat – “and your eyes won’t be on the road. You’ll crash.”

She is staring at him, wide-eyed – and then bursts into laughter, “I didn’t know you were clairvoyant-” she is cut short by his pleading look.
“I’m sorry. I’ve wanted to say this to you for a long time-”
“Fine. Apology accepted, if that’s what you want.” She leans into him and her hand is on his shoulder. He wonders if it is all futile, in this moment of quiet realization. This was never her, was it? What the fuck am I doing?

His hand on her pulse is now searching the rest of her face, the contours of her chin, the spans of her eyelashes. She is a lifelike doll, saying all the same words she would say – in his mind – in the way she would pronounce them, perfectly in time to the words in his mind. He is deflated and leans forward to her lips in their eternal moue, but is suddenly stopped by her firm, locked hand on his chest.

I’m sorry. You will have to purchase an additional Reviva Physical package to gain access to intimate gestures.” It was said in an oddly robotic way; it seemed out of place as it escaped the lips of the woman before him. Her eyes were glassier at this point, transfixed on him.
He looks jolted and confused: “Excuse me?”
You are currently subscribed to Reviva Basic. The terms and conditions can be recited-
“No, no. It’s – it’s alright.”

He is mute as he stares at her body with the sadness and the longing of a young man. He wonders about the memory he has of her – the ones not polished and buffed by time and tenderness, but glimpses of the way she would act after a particularly tiring day, her lipstick protruding away from the edges of her lips. He savours her tiring, irritated words brushed away like a cobweb on her sleeve, the way she would leave the milk on the table after she used it. He would have to tell her to put it back in the fridge and she would yell back I-will-do-it-later-for-god’s-sake, encapsulating those exasperating mornings together. He recalls way she would kick him in his sleep and how she left the shower floor wet every morning. And her hair, the way it would form a soft nest in the drain and he would moodily remind her to clean it up. She never did.

“What’s wrong?” she is still close to him, watching him intensely.
“Nothing. I was just thinking why you were always messy when you showered. I never could figure that out.”
“I don’t know what you mean, either.”

She would only know what he knew, because her memories would have been formed entirely from his, in all their gaps and unanswered questions. He decides that he only wants to sit near her, his hand resting on her lap, the chiffon layers running through his fingers. All he wanted to do was to spend time with her. When she sat in the half-darkness, she seemed the most real to him – in all her unsaid words, in a physical form not tainted by the carbon-copy of her words in his memory. He remembers how she would be an impetuous, spontaneous woman in her early twenties. As she sat before him, it struck him how she seemed like a pretty pull-toy with the string attached to her back, saying each sentence over and over again like an over-used motto: entirely, perfectly predictable. He knew the words to her poetry before she would write it.

He says, sleepily: “Sit here with me for the next few hours, okay? That’s all.” He leans against the wall and she is climbing over to sit near him, tucked under his arm. He can feel her breath against his wrist and the prickle of her flyaway hair on his shoulder. Time moves like a sliding leaf on the surface of the water, with each meandering moment meeting the next in perfect synchronisation. He can see the light outside gradually deepening until he can only identify her silhouette against the window. He knows she is not going to sleep – she blinks casually but otherwise remains entirely still, a warm mannequin. His eyes close and open again, each moment of closure lengthening as he grips her body with his arm, determined to enjoy every breathing moment with her. He eventually allows sleep to wash over his mind like a tender rinse, and murmurs to her in half-fatigue: “Good night. I’ve so missed you.”

And she replies, with a delicate hitch in her breath: “You know I miss you too.”

He wakes up on the floor of vault #40492 and the edges of the room are harshly sharp. There are a number of metallic chairs and tables scattered around the room, obligingly impartial, utterly antiseptic. It is the same bleached white as the main counter and there is a screen raised above his head with the bright marquee blinkering: Simulation Ended. Please Return the Card Key to the Front Reception. Thank you for experiencing Reviva.

The vault of the door slides open and his ears throb as the world’s noise had turns up threefold. A sudden burst of fresh air enters his lungs. He sees the streaming front reception and it is noticeably busier than it was earlier. There are numerous men and women queuing up, some chattering animatedly to one another, others with babies and children, a few looking pensive. He drops the card key in the return slot, recovers the lock of hair and – just as he is about to pay for the bill and exit the building – he briefly examines each of them, with their own stories, their own aching desires to make memory into flesh. The lonely, ragged man carrying a tail of blonde hair, licking his lips in anticipation. The stubborn child with traces of cat hair in his cupped hand. A woman who lost her sister to cancer. He turns away from them, ungluing himself from the world of lost opportunity, of humans hopelessly grasping what had already slipped through their fingers a long time ago. Time moves and it leaves us all behind. It leaves us choking in the midst of the storm, the bile that rises in our throat when we realize the loss is there – but the memory retains like hot coals searing your skin. We will feign it as best we can. It is a tantalizing opportunity to trick your mind for a few brief hours, the compulsion to unroll time and run our fingers back to a world of difference. We want to believe that mistakes can be washed away with a few well-placed bills. Loss, they said to themselves, is stifling. They need a reprieve.

He leaves the building into all its pure, undiluted white. He allows it to disappear behind him without a second glance back. The walk back to the office is languid, and he remembers the curves of her shoulders, the shape of her limbs, leaning against his. Holding her felt like two puzzle pieces joining together in perfect harmony. He can think of nothing else.

His co-workers lazily greet him as he makes his way back to his cubicle. A part of him is ready for the return to normalcy. His tea mug is now cold on his desk and he makes his way to the rickety tea machine at the back of the office. There is a deft numbness to his actions, but he is absolutely nonchalant. He sees his friend, who jovially slaps him on the shoulder while giving him a secretive wink. “How did the Reviva experience go, eh? Most people go for one thing.”

“Actually, I didn’t go. Went for a long fag break instead.”

He sips his tea delicately, and contemplates his answer. His other hand grips the lock of hair in his pocket with a new-found ferocity.

And he quietly concedes to the weeping child within him.

——

2 hours, free-writing.

On childhood and sun.

Posted in Writing on April 25th, 2010 by admin – 1 Comment

You would give me a bruise and it would remind me of Wednesdays. It usually came from a swinging punch from the left, quickly following a carefully coordinated feint to the right. It was in those summer days, afterschool, when we would fight – when the monkey bars seared to the touch and the sun was unbearably pressed on our foreheads. And while the others found themselves basking in the cool shelters of the classrooms, we would rule the whole playground for ourselves. We loved the way the sun glinted, unforgiving, on the painted sheen of the slide and we screeched with delight when the heat pulsated in our palms, burning like charcoal. It was our game: when the heat waves rose from the pavement, we saw it as an opportunity. The first to climb to the top of the bars wins, you’d say. It was game on from then. I knew it would hurt – but we would burst through the doors, our shoes scrabbling at the bars, determined to climb to the very top. I saw your silhouette framed against the sun and I recall how I found myself always looking upwards at you. I would hold my hands to your face, in defeat. It’s your fault that they’re all swollen now, I exclaimed. And you would hold yours up in reply, in all our matching reds.

We became tired of our playground antics after a while, of climbing onto various objects, battling the heat of the summer. It was a Wednesday of ’98 when your hand crept over to pinch me on the wrist, hard. I almost swore, pinching you back with as much ferocity as I could. The hell did you do that for? I yelled, flicking him again with my fingernail. You only laughed and pushed me to the side.

Let’s fight! I’m bored of climbing things! You said this with an odd triumphant smile on your face, as if it were only natural that you should. I vehemently objected and said that fighting was bad – that I didn’t fight – that my dad wouldn’t like that and nor-would-you-okay-please – only to be interrupted by a series of further pinches on my arm. I remember cursing and launching myself at you, telling you to stop, my hands pinching you right back, nails digging into the flesh between your fingers. And I remember, five glorious minutes later of constant bone and flesh meeting bone and flesh, finally standing up with scratch marks down my arm, angrily rubbing away an irritating patch of your sweat on my face. I pretended to be angry, I really did. I told you I didn’t want to be friends. You shrugged and said that you found that fun, didn’t you? And I told you that I don’t fight, not at all, how-could-you, and that it really hurt. Right, you said, even if slightly sardonically, see you after school. I screamed back and told you only in hell would I see you, you crazy. I almost did. But on the dot, 3:15 in the afternoon, I trailed towards you in indignant reservation. You never noticed – you were there with your school bag, and you had forgotten about my outburst earlier. You told me that you wanted to go somewhere else. I have an idea, you said, with hushed fervour, let’s go to the rooftop place.

The rooftop, prominently placed on the 17th floor of my apartment block, was a place that smelled of laundry and looked like the sails of a ship. There were pieces of thin rope stretched across the patio, white linen strung along them, gently billowing in the wind. We used to enjoy running through the linen until we got told off by the caretaker, but for me it was a never endless cascade of bright white against white. I would press myself against the sheets and almost willed myself to fall into them, but I was afraid they would fall to the ground – I wasn’t tall enough to put them back over the ropes.

When we got there that Wednesday, you told me you wanted to fight again. I said that the sheets would get dirty, but you only shrugged. They can wash it again, you told me. You asked if I was afraid. I retorted that I wasn’t – it just seemed like the wrong place to be fighting. We would have mooncakes here and play with lanterns, I explained to you, wouldn’t it be weird to fight here? It seemed almost like sacrilege, but I couldn’t tell you this. I remember you laughing at me, telling me how you knew I couldn’t go through with it. I became riled up and I gave you a cursory shove. It cut through your laughter like a cold knife. Then – as if unlocked – my reluctance to fight was no longer there. I suspect a small part of me was hooked. I was more voracious this time – I punched you, on the arm, and you retaliated by clocking me near the waist. The pain would make me stumble, but I would lash out again to cork the angry outcry of my nerves. It followed that we edged closer and closer to the crisped sheets, until we found ourselves fighting against the bleached white, our fists curled up against the cotton, a clashing of jarring movements that sometimes met an opposing force, others into thin air. Punch after punch, returned and thrown, blinded by the linen veils, feeble – but excited – flailing of the two of us, our laughter breathless when we both realized we had never felt this free. I remember telling you how much fun I was having, because I had never been in this kind of fight before. We were giggling, slowly losing control as we hit harder, pinched rougher. Your punches were getting more aggressive in those minutes, and – for a split moment – there was that tinge of uncertainty as I stepped back for that brief second. You sensed it, I think, that quiet pause of mine: your fist suddenly impacted on my mouth, and with all the force of an uncontrolled swing, it caught me off-balance. I gave a panicked cry and recoiled away from you. I remember stumbling across the rooftop, wrapped in a sheet and falling clumsily onto the cemented floor. I lay there, clutching my face. The laughter was brutally torn short, and you attempted to unravel me from the cloth. I was holding my hand to my mouth, my lip swollen, my teeth feeling oddly out of place – and something that looked like the juice of a dark cherry flowing from my fingers. It dripped onto the sheets, that stark red darkening against the white. You asked if I was okay, if I was okay, Rebecca, Rebecca, if you should call someone, I’m-so-sorry, are you okay, talk to me- I just lay there, squeezing my eyes shut, as I tasted metallic and pebbles in my mouth.

*

It was about two days later when I saw you next. You were sheepishly standing near the gates, and I had a large, angry scratch across my lips and gums: it was like someone had taken my bottom lip and inflated it. I remember you telling me how sorry you were, and that we wouldn’t need to play that game any more. I looked at you haughtily and told you not to be silly. Next time, we’ll go somewhere else. How about the beach?

From then on, we would mark our territory like carefree animals. The first time was in the playground, and then it was the linen rooftop. The beach had us fighting along the shore, gritting our teeth against the sand, pushing one another into the water in a satisfying splash. You gave me my first bruise on my left arm, and I nearly cut your skin with my scratch. I think a part of us derived joy in imagining the old caretaker slowly reaching his aching, shaking arms to the linen and folding them with careful, slow precision – the very same place where we were fighting each other, rolling against the sheets, impacting against the floor. We would laugh about the couples who would go to the beach in a romantic hand-in-hand walk, languidly strolling over the very same space I landed my palm on your shoulder, the thick red hand print still blotchy on your skin. Then it was the car park, the park, in the stream, the garden. From my window, I could see that particular patch of grass I pulled from the soil, trapped underneath my fingers, which I had flung at your face on one Friday evening. We’d grin like conspirators when we saw it.

Our skin would heal over time. It formed tender flesh rivers on our arms, only to be reddened again in a later escapade. Our parents would never know how I got that odd red scruff on my elbow, that scratch on your knee. We treated them as marks of our freedom – in some strange and pseudo-liberating way – but I always recall the way we would walk back home after our fights: arm in arm, like quiet champions. We would look at our reflections against the stream. We liked the way the magenta streaks blushed our faces, the spaghettified version of us. It was the perfect parody of us.

-

1ish hour quick writing. Fictional.